The fundamental disconnect among Hawaiians today is that between law and power. As I noted in Sovereignty and Mental Models, “one side [the independence movement] sees law as the driving force behind Hawaiʻi’s ʻlimits and opportunities,’ the other [Fed rec] sees only power.” What is needed is an analysis that bridges these two ways of looking at our political reality. The Slovenian philosopher Slavoj Zizek offers one such analysis. He uses film as a gauge of the state of contemporary political ideology, but in doing so, shows our relationship with our respective governments – whether democratic or totalitarian.* He often uses films that appear to have liberal themes to show underlying, conservative, anti-democratic “micro-textures.”
Zizek shows that embedded in ostensible democratic narratives are fascist or totalitarian undercurrents. In relation to even our most democratic governments – those with free media, checks and balances, etc. – we hear (and have a sublimated desire to hear) the message that our governments “do what [they] like.”
This was seen in the armed police at the (ostensibly democratic) hearings of the Department of Interior on Oʻahu this week. It is seen in the passive acceptance of the governments violations of its own law at the Federal (some say we are in a post-constitutional era) and State levels. Dismissals of the legal arguments of sovereignty activists and scholars are tantamount to saying that our society is not run by the rule of law.
Using the psychoanalytic theories of Jacques Lacan, Zizek shows that we all have “fascist dreams.” It is as if we have a public and a private life in our own minds – a sublimated consciousness that we hide even from ourselves. For Hawaiians, our tradition is not one of democracy, so it takes conscious effort to become process-oriented. This is a worthy effort, otherwise we unconsciously take on the attitude of Lorrin Thurston, who said in the formation of the Republic of Hawaiʻi, “we will shut out from participation all those who are not with us.” By bringing these subconscious tendencies to our own awareness, we can consciously decide which path to take for ourselves and the nation: one of law or of pure power.
* Films Zizek analyses include The Sound of Music and Titanic.